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Storytelling in the Bible is unavailable, but you can change that!

Modern techniques of literary criticism, combined with a deep love of the Bible, have been employed by the author in this profound and original work. In six chapters and an epilogue, the author analyses the aesthetic means by which the narrators achieved their ends. He shows us mimesis in the story of Saul and the witch of En-Dor. He shows how intense emotion led up to and conveyed as David hears...

The narratives in the Old Testament belong partly to the ‘traditional’ category, and partly to genuine, fact-bound history. It is all ‘sacred’ history, in the sense of being ultimately concerned with the ways of God to man. Some of God’s deeds, however, are perceived as being realized through the ordinary working of human agents, such as kings and rebels. The result is genuine historiography. Other parts of this sacred history—the most ancient parts—are almost typical myths:7 the Creation, Paradise
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